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Their personal lives took a back seat to taut scenes of trying to help patients with their various physical and emotional emergencies.The main character arc was that of John Carter (Noah Wyle), who evolved throughout the course of the show from an uncertain medical student to the wise and infinitely capable chief resident.

OBO ITSELF AND OAKLAND 13 MUSIC, SONY/ATV / PRODUCED BY KEVIN GARRETT, BEYONCÉ AND JEREMY MCDONALD / VOCAL PRODUCTION BY BEYONCÉ / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORDING ENGINEERING BY JOHN CRANFIELD / PIANO BY KEVIN GARRETT / JUPITER BASS BY JAMES BLAKE / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS AND KEYBOARDS ENGINEERED BY GREG KOLLER / PROTOOLS EDITING AND KEYBOARDS RECORDED BY ERIC CAUDIEUX AT HENSON STUDIOS, LOS ANGELES, CA AND THE APEX STUDIO IN BURBANK, CA / RECORDED AT CONWAY STUDIOS IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA HOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUBACK UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSTEP DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUCAN’T YOU SEE THERE’S NO OTHER MAN ABOVE YOUWHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOUHOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOU SOMETHING DON’T FEEL RIGHTBECAUSE IT AIN’T RIGHTESPECIALLY COMING UP AFTER MIDNIGHTI SMELL YOUR SECRETSAND I’M NOT TOO PERFECT TO EVER FEEL THIS WORTHLESSHOW DID IT COME DOWN TO THISSCROLLING THRU YOUR CALL LISTI DON’T WANT TO LOSE MY PRIDE BUT I’MA F---- ME UP A BITCHKNOW THAT I KEPT IT SEXYYOU KNOW I KEPT IT FUNIS THERE SOMETHING THAT I’M MISSING?CARR / BACKGROUND VOCALS BY CHRISSY COLLINS / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED IN THE BEEHIVE, LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESS (THE WEEKND)STACKIN’ MONEY MONEY EVERYWHERE SHE GO… 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESSSHE WORKS FOR THE MONEYSHE WORK FOR THE MONEYFROM THE START TO FINISHAND SHE WORTH EVERY DOLLAR SHE WORTH EVERY DOLLAR AND SHE WORTH EVERY MINUTE SHE STACK HER MONEY MONEY EVERYWHERE SHE GOHER YAMAZAKI STRAIGHT FROM TOKYOSHE GOT THEM COMMAS AND THEM DECIMALSSHE DON’T GOTTA GIVE IT UP CUZ SHE PROFESSIONAL 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESSSHE WORKS FOR THE MONEYSHE WORK FOR THE MONEYFROM THE START TO FINISHAND SHE WORTH EVERY DOLLAR SHE WORTH EVERY DOLLAR AND SHE WORTH EVERY MINUTE STARS IN HER EYESSHE FIGHTS FOR THE POWER KEEP IN TIMESHE GRINDSDAY AND NIGHTSHE GRINDS FROM MONDAY TO FRIDAY WORK FROM FRIDAY TO SUNDAY SHE GONE SLAY SHE’S TOO SMART TO CRAVE MATERIAL THINGSSHE PUSHING HERSELFDAY AND NIGHT SHE GRINDS FROM MONDAY TO FRIDAY WORK FROM FRIDAY TO SUNDAYSTARS IN HER EYES SHE FIGHTS AND SHE SWEATS THRU SLEEPLESS NIGHTSBUT SHE DON’T MINDSHE LOVES THE GRINDSHE GRINDS FROM MONDAY TO FRIDAYWORKS FROM FRIDAY TO SUNDAYSHE GONE SLAY TOO SMART TO CRAVE MATERIAL THINGSSTACKING HER PAPER STACKING HER PAPERSHE GRINDS FROM MONDAY TO FRIDAYWORK FROM FRIDAY TO SUNDAY 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESSSHE WORKS FOR THE MONEY SHE WORK FOR THE MONEY (KNOW JUST WHAT TO DO) FROM THE START TO FINISH (TO MAKE YOU LOVE ME)AND SHE WORTH EVERY DOLLAR (LOVE ME)SHE WORTH EVERY DOLLAR (LOVE ME)AND SHE WORTH EVERY MINUTE NOW YOU KNOW I MAKE YOU FEEL YOU’LL ALWAYS COME BACK TO ME…..COME BACKCOME BACKCOME BACKCOME BACKCOME BACK WRITTEN BY ABEL “THE WEEKND” TESFAYE, BEYONCÉ, DANNY SCHOFIELD, BEN DIEHL, TERIUS “THE-DREAM” NASH, AHMAD “BELLY” BALSHE, BOOTS, DAVE PORTNER, NOAH LENNOX, BRIAN WEITZ, BURT BACHARACH, HAL DAVID / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC OBO SONGS OF SMP (ASCAP), WB MUSIC CORP. ENOUGH…I DON’T CARE ABOUT THE LIGHTS OR THE BEAMSI' D SPEND MY LIFE IN THE DARKFOR THE SAKE OF YOU AND ME THE ONLY WAY TO GO IS UPTHEM OLE BITCHES SO WACK I’M SO TOUGH, WHAT’S UP?DON’T HURT YOURSELFDON’T HURT YOURSELF WHO THE F--- DO YOU THINK I ISYOU AIN’T MARRIED TO NO AVERAGE B---- BOYYOU CAN WATCH MY FAT ASS TWIST BOYAS I BOUNCE TO THE NEXT D--- BOY AND KEEP YOUR MONEYI GOT MY OWNKEEP A BIGGER SMILE ON MY FACEBEING ALONEBAD MUTHA F----ERGOD COMPLEXMOTIVATE YOUR ASSCALL ME MALCOLM XYOUR OPERATORINNOVATORFUCK YOU HATERYOU CAN’T RECREATE HER NOYOU NEVER RECREATE HER NO WE JUST GOTTA LET IT BE LET IT BE LET IT BE LET IT BE BABY YOU JUST GOTTA LET IT BELET IT BE LET IT BE LET IT BE BABY WHEN YOU HURT MEYOU HURT YOURSELFDON’T HURT YOURSELF WHEN YOU DIS MEYOU DIS YOURSELFDON’T HURT YOURSELF WHEN YOU HURT MEYOU HURT YOURSELFDON’T HURT YOURSELF WHEN YOU LOVE MEYOU LOVE YOURSELFLOVE GOD HERSELF I AM THE DRAGON BREATHING FIREBEAUTIFUL MANE I’M THE LIONBEAUTIFUL MAN I KNOW YOU’RE LYINGI AM NOT BROKE AND I’M NOT CRYINGI’M NOT CRYING, YOU AIN’T TRYING HARD ENOUGHYOU AIN’T LOVING HARD ENOUGHYOU DON’T LOVE ME DEEP ENOUGH WE NOT REACHING PEAKS ENOUGH BLINDLY IN LOVEI FUCKS WITH YOU, TILL I REALIZE I’M JUST TOO MUCH FOR YOUI’M JUST TOO MUCH FOR YOU YOU JUST GOTTA LET IT BELET IT BE LET IT BE LET IT BE BABY HEY BABYWHO THE FUCK DO YOU THINK I ISI SMELL THAT FRAGRANCE ON YOUR LOUIS KNIT BOYJUST GIVE MY FAT ASS A BIG KISS BOYTONIGHT I’M FUCKING UP ALL YOUR SHIT BOY WHEN YOU HURT MEYOU HURT YOURSELFTRY NOT TO HURT YOURSELFWHEN YOU PLAY ME, YOU PLAY YOURSELFDON’T PLAY YOURSELFWHEN YOU LIE TO ME, YOU LIE TO YOURSELFYOU ONLY LYING TO YOURSELFWHEN YOU LOVE ME, YOU LOVE YOURSELFLOVE GOD HERSELF WE JUST GOTTA LET IT BELET IT BE LET IT BE LET IT BE LET IT BE BABY THIS IS YOUR FINAL WARNINGYOU KNOW I GIVE YOU LIFEIF YOU TRY THIS SHIT AGAIN YOU GONNA LOSE YOUR WIFE WRITTEN BY JACK WHITE, BEYONCÉ, DIANA GORDON, JAMES PAGE, ROBERT PLANT, JOHN PAUL JONES, JOHN BONHAMPUBLISHED BY THIRD STRING TUNES (BMI), WB MUSIC CORP. SMITH / ADDITIONAL INSTRUMENTATION RECORDING BY LESTER MENDOZA AT SKIP SAYLOR RECORDING STUDIO IN NORTHRIDGE, CA / RECORDED AT JUNGLE STUDIOS IN NEW YORK CITY / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / ADDITIONAL STUDIO ASSISTING BY ED SPEAR / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA FEATURES SAMPLE FROM THE LED ZEPPELIN RECORDING “WHEN THE LEVEE BREAKS,” PRODUCED UNDER LICENSE FROM ATLANTIC RECORDING CORP. I AIN’T SORRYI AIN’T SORRYI AIN’T SORRYN---- NAHI AIN’T SORRYI AIN’T SORRYI AIN’T SORRY HE TRYING TO ROLL ME UP (I AIN’T SORRY)I AIN’T PICKING UP (I AIN’T SORRY)HEADED TO THE CLUB (I AIN’T SORRY)I AIN’T THINKING ‘BOUT YOU (I AIN’T SORRY) ME AND MY LADIES SIP MY D' USSÉ CUPSI DON’T GIVE A F--- CHUCKING MY DEUCES UPSUCK ON MY BALLS PAUSE I HAD ENOUGHI AIN’T THINKING ' BOUT YOUI AIN’T THINKING ' BOUT MIDDLE FINGERS UP PUT THEM HANDS HIGHWAVE IT IN HIS FACE TELL ‘EM BOY BYETELL ‘EM BOY BYEBOY BYEMIDDLE FINGERS UP I AIN’T THINKING ' BOUT YOU I AIN’T SORRY I AIN’T SORRYI AIN’T SORRYN---- NAHI AIN’T SORRY I AIN’T SORRYI AIN’T SORRYNO NO HELL NAH NOW YOU WANT TO SAY YOU’RE SORRY NOW YOU WANT TO CALL ME CRYINGNOW YOU GOTTA SEE ME WILDIN' NOW I’M THE ONE THAT’S LYINGAND I DON’T FEEL BAD ABOUT ITIT’S EXACTLY WHAT YOU GETSTOP INDIRECTING MY GRINDING I AIN’T THINKING BOUT YOUI AIN’T THINKING BOUT YOUI AIN’T THINKING BOUT YOUI AIN’T THINKING BOUT YOUI AIN’T THINKING BOUT YOU MIDDLE FINGERS UP PUT THEM HANDS HIGHWAVE IT IN HIS FACE TELL ‘EM BOY BYETELL ‘EM BOY BYEBOY BYEMIDDLE FINGERS UP I AIN’T THINKING BOUT YOU I AIN’T SORRYI AIN’T SORRYI AIN’T SORRYN---- NAHI AIN’T SORRY I AIN’T SORRYI AIN’T SORRYNO NO HELL NAH LOOKING AT MY WATCH HE SHOULD’VE BEEN HOMETODAY I REGRET THE NIGHT I PUT THAT RING ONHE ALWAYS GOT THEM FUCKING EXCUSESI PRAY TO THE LORD YOU REVEAL WHAT HIS TRUTH IS I LEFT A NOTE IN THE HALLWAYBY THE TIME YOU READ IT I’LL BE FAR AWAYI' M FAR AWAYBUT I AIN’T FUCKING WITH NOBODYLET’S HAVE A TOAST TO THE GOOD LIFESUICIDE BEFORE YOU SEE THIS TEAR FALL DOWN MY EYESME AND MY BABY WE GONE BE ALRIGHTWE GON' LIVE A GOOD LIFEBIG HOMIE BETTER GROW UPME AND MY WHOADIES ' BOUT TO STROLL UPI SEE THEM BOPPERS IN THE CORNER THEY SNEAKING OUT THE BACK DOORHE ONLY WANT ME WHEN I’M NOT THEREHE BETTER CALL BECKY WITH THE GOOD HAIRHE BETTER CALL BECKY WITH THE GOOD HAIR WRITTEN BY DIANA GORDON, SEAN RHODEN P/K/A MELO-X, BEYONCÉ / PUBLISHED BY WB MUSIC CORP.(ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., FLAMES OF ALBION MUSIC, INC. BY ARRANGEMENT WITH RHINO ENTERTAINMENT COMPANY, A WARNER MUSIC GROUP COMPANY. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., MELOXTRA PUBLISHING (BMI), WB MUSIC CORP. (DECIMALS) SHE DON’T GOTTA GIVE IT UP SHE PROFESSIONAL… (HENNESSY) SHE LOVE THE WAY IT TASTE THAT’S THE RECIPE..

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