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How to get in: Now is an opportune time, as NY’s second iteration, the Ludlow House, is in the works. The recommendation for acceptance: be cool and connected. Much like the Edwin Booths of yore, founder Alan Linn — formerly a member of London members-only club Blacks — sought to establish “something different.” With the bohemian Norwood, he created a space where creatives from all walks — architects, artists, musicians, designers and art collectors — can hash out their next collaboration.
Not iron-clad, but still adhering to a "What can you bring to the table? How to get in: Linn’s primary advice for applying members is to “be curious.” But the club does curate from various disciplines, meaning you could pick up a paintbrush and start creating art or simply start buying it in a big way.
How to get in: Not going to mince words here: you’ll need a heap of Benjamins or whatever bill is larger.
Alongside the Players on club row, the NAC lists Presidents Roosevelt, Wilson and Eisenhower as previous members, as well as an impressive roster of architects, artists, painters, sculptors and assorted romantics.
The mission: "To stimulate, foster and promote public interest in the arts and educate the American people in the fine arts.” The calendar is stocked with rotating exhibitions, classes in French, drawing, dancing and high-class honorary soireés.
How to get in: Stamped as invite-only, volunteering in the arts, “supporting the arts” and/or a grand letter of interest have been known to get a foot in the door.
Previous members of note include Winston Churchill, Ulysses S. The arch nemesis of the Union Club, “The Knick” was founded as an alternative to the Union’s reputed lax standards in the late 1800s. Graduate or postgrad fieldwork and/or volunteering on expeditions is a good place to start.
In 1888, Edwin Booth, a creative struggling to find acceptance from NY’s elite social clubs, was intent on creating a space where artists and theater actors could elevate their status as socially dignitaries.
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